Chapter 5 of 40
The Lamplighter's Terms
Ash did not close the book, and he did not put it back on the bench. He stood with it open in both hands, so that when Osric came through the arch the first thing he saw was his own handwriting.
Osric stopped. His good eye went to the page, then to Ash's left cuff, still rolled back, the chalk figures bare.
He held out his hand. Ash gave him the book.
Osric closed it on its ribbon, smoothed the ribbon flat with his thumb, and slid the book into the inside pocket of his coat. He did all of this slowly, the way a man folds a letter he has already read.
"You keep good columns," Ash said.
"Better than yours. Yours are on your sleeve." Osric lowered himself onto the bench and stretched out the knee that had carried him up too fast. "And on your wall, until lately."
So he had been in the closet too. Ash filed that away with the rest.
"You were in the corridor," he said. "Half past eleven. Three nights back."
"I am in that corridor most nights before the stroke."
"Doing what?"
"Standing." Osric rubbed the ribbon end between finger and thumb where it hung from his pocket. "It's a good corridor for standing. Draughty. Nobody asks why an old man wants to be cold."
"I'm asking."
"I know you are."
At the far end of the bench Verity had stopped pretending to look at the yellow window. She was pulling her gloves back on, one finger at a time, very carefully, as if the gloves needed all her attention.
"You had my line in that book before the first hour came," Ash said. "Before anything. Why were you watching a sweeper?"
"Because you braced a crown wheel with six hours and told me it cost minutes." Osric's glass eye caught the light from the window and held it, flat and pale. "A man who lies about his own price is worth watching."
"That was after. Your book goes back three weeks."
Osric did not answer that. He looked at Ash's cuff, at the figures there, and his mouth moved as if he were reading them under his breath.
"Then tell me how to put them back," Ash said. "You know how it's done. Teach me the working that sends an hour home."
"There isn't one."
"There's a working for everything."
"There is a working for spending. Every one of them is spending." Osric said it gently, which made it worse. "You can't push an hour into someone else's line with your hands, Merrow. No Wright can. Only a Ledger key moves a line."
"Then whoever has the key..."
"Has the key." Osric's thumb stopped on the ribbon. "I have seen a line climb like this before. Once."
Ash waited. Osric let the waiting go on until it was plain he meant it to, and then said nothing more about it at all.
"The gentleman from the roll office," Ash said instead. "Which candidate?"
"You." Osric took a folded paper from his outer pocket and held it up so Ash could see the seal: grey wax, a clock face with no hands. "Delivered by a young man with ink in his knuckles and a key ring that pulls his coat off true. He was late. He apologised on his master's behalf."
"Hesk."
"Under Auditor Pell's seal. A request that the attested figure of candidate Merrow be copied to the Exchequer on the night of the proof. Opening and closing." Osric put the paper away. "The clause allows it. I read it twice looking for a reason to refuse, and the guild borrowed that word from them, not the other way about. I could not say no."
Ash did the arithmetic standing up. The proof was three days off. The count was four. He had been planning for four.
"He doesn't know," he said. "Pell. He hasn't linked me to anything. He said I kept the bands clean."
"Then he is curious about clean bands." Osric stood. His knee made a small dry sound. "Lesson's over. Count what you spent today and bring the figure tomorrow."
Ash looked down the bench. The far end was empty. Verity's satchel was gone from the flagstones. He had not heard her go, and she had left no word, not even a barbed one, which from her was its own kind of remark.
"How long was she listening?"
"Long enough to get her gloves on," Osric said, and walked away down the passage at his patient pace.
Tallow Stair at dusk smelled of lamp-oil and wet stone, and of something frying three landings down that Ash could not afford to think about.
He heard her before he saw her: the rasp of a trimmer on a wick, then the cough. It came in a run of five, each one deeper, and on the fourth the ladder rang against the bracket.
Wenna was halfway up it on the second landing, one hand on the lamp, one on her chest, folded over the rung like a coat hung on a nail. The ladder's foot was skating on the wet step.
Ash did not drop his bag. He put his scarred palm flat on the nearest upright and thought of the escapement.
One tooth. Then the next.
He opened a finger of the fist and felt the minute go, and the ladder's foot stopped as if it had been nailed. He held it there and counted. Two. The cough went on above him. Three. When it eased and her hand found the rung again, he shut the finger.
He wrote it on his right cuff under the cup. Ladder: 3.
Wenna came down slowly, the trimmer between her teeth, and stood on the step above him so their eyes were level. She took the trimmer out and pointed it at him.
"Two and a half coppers," she said.
Ash said nothing.
"Pim's eleven. He can't hold a coin and he can't hold his tongue. He told me on the doorstep with the oil can still in his hand." She tucked the trimmer back into her hair. "Then he asked if I wanted to know your name. Charged me nothing for it, which tells you he thought it was worth a lot."
"I owed you."
"Two days ago you'd never met me." Her gloved fingers went to her hook, leaned against the wall, and rubbed the worn place on its shaft. "Nobody owes a stranger good oil. So either you want something, or you've taken something. Which?"
The frying smell drifted up. Someone below laughed. Ash had rehearsed this on the walk from the guild quarter, fifty-two minutes of it, and every version had started gently.
"Taken," he said. "Can we go inside?"
Her room was smaller than his closet had led him to imagine and warmer than he deserved. A bed with a patched quilt. A table with one chair, which she took. A kettle on a spirit ring, not lit. On the windowsill, wrapped in oilcloth, a long green lamp-glass, the kind they hung on the Pewter bridges.
He stood by the door and told her.
The midnight stroke, the hall locked and empty. His line going up one hour as hers went down one, the same instant, two bands apart. The figures he had chalked. The nicks on his broom, eleven now. The token and the gate and the day he had paid to get through it.
He rolled back his left cuff and held it out under her lamp. She leaned forward and read her own name in his writing.
"Say the numbers," she said.
He said them.
"Again. From the first night."
He said them again. She was counting on her fingers in her lap, gloved fingers folding down one after another, and her lips moved with his. When he finished she was holding up one finger more than he had said.
"Twelve tonight," she said.
"If it comes."
"It'll come. It's come every night, hasn't it." She lowered the hand. "How many of mine have you spent?"
He had known she would ask, and he had no clean answer. "I can't pull them apart. They're all in one line. The gate cost a day. That's more than all of yours together. And I spent a minute warming my hand, and four on a cup, and one on a cup, and three on your ladder just now."
"So you spent the lot."
"Yes."
"On a school."
"On a way to find out how it's done. So I could stop it."
"And can you?"
"No."
She coughed once, lightly, into the shawl, and did not look away from him while she did it.
"You could have gone to the Exchequer the first night," she said.
"They'd have read my line and found it fat and yours thin. They'd have called me the gleaner. They empty the gleaner."
"So you kept it." She said it flatly, without heat, the way she might read the price off a can. "You climbed my stair and asked me about contracts and let me think you were a sweeper on the take. You paid my oil so you'd feel better about my hours. And you went to school on them."
"Yes."
"I'm not going to say it's all right."
"I didn't ask you to."
"Good." She got up and lit the spirit ring with a match, not a working, and set the kettle on it. Her back was to him. "Because it isn't. I've got a date and I'm walking to it, and somebody's been taking steps out from under me while I slept. And you knew."
The kettle began to tick as it warmed. Ash stayed by the door. He thought she would tell him to go, and he had already decided he would.
"When's the count?" she said.
"Four days. But they'll have my figure in three. There's a proof. They read it aloud and copy it to the Exchequer."
"And then they find my hours in you and nothing sealed between us." She turned round. "And they empty you, and they put my eleven back, twelve, whatever it is by then. Or they don't. Do they ever put them back?"
"I don't know."
"No. Nobody knows anything in this city except what it costs." She took a breath and it rattled. "There's a counter at the Exchequer. You go to it, you put your hand on the plate, you seal what you're giving and to whom. I did it once. Six years for a room. The clerk didn't look up."
He understood before she finished. He felt it arrive the way the cold arrived after a working, from the hands inward.
"I'll seal them," Wenna said. "The ones gone and the ones still coming. To you. Then when they read you, they read a contract. A lamplighter sold a sweeper some hours. Happens every day."
"No."
It came out of his mouth before he had thought it, and then he heard what came after it in his own head. Nobody gives time away. You sell it, you buy it back, or it's taken. He had built his whole life on that. He had sold forty years on it.
He stopped.
"You're not giving them," he said slowly. "You want something."
"Course I do." For the first time she looked almost pleased with him. "I'm not a saint, I'm a lamplighter. Sit down. You make the room smaller standing."
He sat on the edge of the bed. The quilt smelled of wet wool and oil.
"Two things," Wenna said. "First. You find who's doing it. Not the school, not the clever columns. The hand. Whoever's got a key to my life and turns it at midnight. You find them and you bring me a name."
"And if I can't?"
"Then my hours bought nothing and I'll have the counter undo it, if counters undo anything." She went to the windowsill and laid her palm on the oilcloth over the green glass. "Second. The thaw. I light that lamp. I've lit it thirty-one times and I mean to light it once more. But I can count, and so can you. If I'm short..."
She coughed, and this time it folded her, one hand on the sill and one on the glass, until she could straighten.
"If I'm short," she said, "you climb the Pewter bridge at first thaw with my hook and you light it. Proper. Not with a working. With a match and a steady hand, the way it's done."
Ash looked at the hook leaning by the door, at the worn place on its shaft. He thought of the bridge in the thaw wind, of standing up there in her place, of the whole canal seeing who held the light and knowing why.
"You'd seal your hours to the man who took them," he said.
"I'd seal them to the man who walked up my stair and said so." The kettle began to sing. She took it off the ring and did not pour. "Counter opens at first bell. I'll be on the Exchequer steps with my hand ready. You be beside me, or you don't. I'm not asking twice. I haven't the hours for it."
First bell.
Osric's bench. Osric's rule, written in chalk on nothing and kept in every word he spoke: count it or don't come. Miss a morning, and Ash knew without asking that there would be no lesson after it, no proof, no chime, no way into the hall where the Ledger keys were kept.
Go to the bench, and Wenna stood on the steps alone and went home, and the count found a gleaning.
He looked at his right cuff. Cup: 1. Ladder: 3. Small coin, all of it. Then at his left, where her name sat in chalk beside figures that would drop again at midnight.
Wenna had poured two cups after all. She held one out to him, steam curling off it, and waited with her other hand on the green glass.
"Well?" she said. "Which bell are you keeping?"